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Game Review: Band Frontman Jason Williamson Takes On Role in Sceptical Look at Ecstasy Generation Era

Helmed by Portishead co-founder Geoff Barrow, this sharp-edged though undernourished debut feature turns a sceptical eye on 90s rave culture. Venal drug user David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to burgle his own family home. In no time, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The bigger point – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, fuming after David kills his dog. Still, a darkly funny duel unfolds – David eager to get away; the Poacher denying his container of scrumpy, determined to soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

There is only one important plot development, but it results in a comically executed rampage on the forest trails that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

The film releases in British and Irish theaters from 17 November.

Written by

Yvonne Contreras

Mira Chen is a tech strategist and writer with over a decade of experience in digital transformation and startup ecosystems.

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